the buzz LIVE MUSIC

Keith Price isn’t your ordinary jazz musician. The Winnipeg-based guitarist is equally adept at playing traditional beatnik-era jazz as he is at putting his own jazzy take on grunge songs such as Nirvana’s “Lithium.”
The Keith Price Trio, which includes drummer Curtis Nowosad and Julian Bradford on bass, play their first headlining show at the Slice on Feb. 15.
“I grew up in that era, but didn’t really discover (the music) until after Kurt Cobain died,” said Price, who holds a music degree from the University of Manitoba. “So I asked what if I just played the melody and made it more jazzy. The song lent itself well to it. There is a lot going on in the song. I was surprised at the genius in it.”
His new CD “Gaia/Goya” features the jazzy cover of “Lithium” and a couple of instrumentals inspired by Jack Kerouac’s “On The Road,” and beatnik writers such as poet Gary Snyder.
“I always try to read ‘On The Road’ when I travel, just reading about him meeting all of these people. And Gary Snyder is Japhy Ryder in ‘Dharma Bums.’ I think he’s a professor in California. I should send him a copy of the CD and see what he thinks of it,” he said.
He’ll give a variety of songs from Neil Young to Mos Def’s “Umi Says” the same jazzy treatment.
“A lot of the hip-hop guys were influenced by jazz,” he observed.
The show begins at 9 p.m. There is no cover.

Also this week
Brush with reality, reality TV that is, when DJ Pauly of MTV’s “Jersey Shore” fame plays Bully’s Entertainment Centre on Feb. 15.
Other great shows this week include a return from the Pernell Reichert band, who play the Slice on Feb. 16, and playing at Enmax Centre the same night is Nova Scotia rapper Classified and B.C. rock band Hedley.
Several New West Theatre veterans will be playing “Old Folk Favourites 3” at the Yates/Sterndale Bennett Theatre on Feb. 17 and 18. The folk-themed event is fundraiser for both the Nord-Bridge Seniors Centre as well as the Lethbridge Seniors Citizens Organization.
On Feb. 18, Daniel Sky is back in Lethbridge to play the Owl Acoustic Lounge. He will be playing upbeat original folk/rock along the lines of George Harrision.
If you want to laugh, comedian Pickle is performing at Average Joe’s on Feb. 18.
Don’t forget open mics all over the city. There is an open mic at the Cave on the Lethbridge College Campus on Feb. 16, and Paul Kype and Texas Flood host the Slice’s open mic on Feb. 21.
Last, but not least, there is a cool metal/progressive rock show at the Slice on Feb. 19 with Chron Goblin and Lustre Creame.
Fur Eel will bring the funk and the noise and everything in between to the Slice on Feb. 17.
The Regina-based funk, rock, pop quartet is fresh off the release of its sophomore CD.
Justin Sheppard, Thomas St. Onge, Travis Reshaur and James Belle incorporate a variety of influences in their music.
“There’s nothing worse than being pigeonholed as a blues band or a funk band or a pop band,” Sheppard said.
“We all listen to diverse and different influences, which is why you can’t really say we’re a funk band because there’s some hip-hop, some rock and roll and some blues. It’s very diverse, which is really great.”
He describes the show as “crazy, high energy.”
“We don’t just stand there and play music, though the music is very important. We play our instruments very well. Our show is what people talk about. The show is the reason we have any type of buzz.”
The band’s debut album featured a lot of lyrics and chord progressions that were improvised in the studio, Sheppard said.
“Our first record was written and recorded two months after we became a band . . . On this one, we paid more attention to chord progressions and song structure.”
The group enjoys being on the road.
“We meet such nice people. We’ll have the occasional heckler which we’ll have to deal with, but most people are there to enjoy it,” he said.
There is no cover for the Lethbridge show, which will begin at 10 p.m.

The week that was
The Lethbridge Folk Club Wolf’s Den was packed to the rafters for a fun, globe-trotting set by the Sultans of String in Feb 11. The Toronto quartet had a lot of fun on stage playing a variety of up-tempo instrumentals which drew heavily from the musical wells of Celtic music, jazz, blues and a plethora of Afro-Cuban and Arabic rhythms.
“Everything sounds better with a rumba and flamenco rhythm,” chortled beaming frontman/violinist Chris McKhool as he and the band got the audience to clap along. Guitarist Kevin Laliberté got to show how diverse the band is as McKhool exhorted him to play an array of styles including classical, blues, jazz, ’80s rock, bossa nova and Cuban salsa while the other band members danced to the rhythm.
And while they are primarily an instrumental band, they showed they could sing and harmonize very well during a hot version of Neil Young’s “Heart of Gold.” They wound down their set on an energetic note by inviting opening act Phrashant John on stage to play Arabic flute with them.

If CKXU loves you, then a lot of people showed they love CKXU, too, on Feb 11 at the Slice for CKXU Loves You VI. The annual University of Lethbridge-based community radio station on the weekend was sold out by a mass of people enjoying a variety of jokes and local musicians having fun on stage reinterpreting love songs and anti-love songs.
I arrived just in time to catch an interesting set from Andrew Scott, backed by drummer and former band mate Kyle Harmon. Scott was a character on stage through a solid version REM’s “The One I Love.” Then things got a little weird and entertaining as Harmon shouted  “Andrew, Andrew” from behind his drum kit.
They played Bruce Springsteen’s “I’m On Fire” which segued into Kings of Leon’s “Sex Is On Fire,” then back in to the Springsteen song. Scott donned the ukulele for one last song before calling it a night.
The Ketamines showed a lot more improvement with their set of straight-ahead punk rock love songs, most of them obscurities from band such as Megan and Teenage Head. They played a tight, loud and energetic set, which had a good-sized crowd banging their heads in front of the Slice’s stage.
Metal band Arcanis decided to “bring the heavy to this night of love songs,” and were good for their word. The colourfully dressed band brought elements of ’80s metal and more modern sounds to their upbeat set.
I caught the last couple songs of rockabilly from the Hi Strung Downers, a four-month-old Calgary-based rockabilly band, who were playing Jimmy’s Pub and Brasserie on Feb 11. They included members of much of Calgary’s rockabilly community, including Buzz Elroy and the Hayseed Rockets. They had a packed room up and on their feet as they cut loose with some kinetic standup bass, rattling drums and a lot of twang.

All 12 of the people  at the Slice, Feb. 6 were loving the Todd Wolfe band as they tore into an energetic set of blues rock music.
The trio filled in all the spaces as bassist Justine Gardner played in the pocket, her thumb anchored to her bass pickup guard as she let her fingers do some groovy walking while drummer Roger Voss kept the time.
Wolfe played some supremely tasteful lead guitar and belted out the blues as his voice gave the music a John Cougar Mellencamp meets the Los Lonely Boys vibe.
He played an array of original music and some long lost classics from the likes of Derek and the Dominoes and even a groove heavy version of Mountain’s “Mississippi Queen.”
Together they provided a solid, laid back blues behemoth, though they let each other out of their cages to roar on the odd bass solo and drum solo. Throughout, Wolfe played every note perfectly in place. He didn’t say much on stage, but told a quick story about New Orleans before playing a song called “Why So Blue?”
While there weren’t a lot of people in the audience, they were enthusiastically enjoying the show with one of the more exuberant  shouting out  “All 12 of us are loving this” throughout the set.
He played a revamped version of Peter Green era Fleetwood Mac’s “ Need Your Love So Bad” and “Homework.” plus some old Derek and the Dominoes.
They ended their first set with solos, lots of solos, before taking a really short set break and  picking up the tempo again in the second set.
There were more tasteful solos and great groove as he played several originals including “On The Run,” which was a definitely a highlight.

A handful of people enjoyed Calgary based roots/ rock trio Brocade, Feb. 9 at the Slice.
They had the stage set up like a comfortable living room with lamps and adorned the stage with black velvet paintings of bridges, landscapes, ships and various animals  all over the backdrop and front of the stage.
Bassist Weeze Brown sported a Leeroy Stagger t-shirt, which fit in well as the band had a strong Leeroy Stagger  / Elliott Brood style roots rock sound.
They started off slow with a soulful Sly and the Family Stone cover, which had one amorous couple up and dancing.
The trio showed a lot of energy on stage and played catchy riffs while exhibiting a keen sense of melody.
They played a long first set including a much of their debut CD  “Like You were Here,” and some strange ones like their “number one hit” about Weeze’s cat. They played a few choice covers including a Prince’s “ You Don[t have to be Pretty, to be My Girl”  and an unusual arrangement of Johnny Cash’s “Folsom Prison Blues,” before asking the audience  for requests.
They played their first single “Riot,Riot.”. They ended their set with  a cover of the Black Crowes’ “Remedy,” and took a short break.
They returned for a quick set  including Jimi Hendrix’s “Voodoo Chile,” and Led Zeppelin’s “Immigrant Song,” before ending with their latest single and video “Every Single Day.”


Feb. 15
The Slice — Keith Price trio
Owl Acoustic Lounge — L.A. Beat open jam
Ric’s Grill — Ain’t Misbehaving with Bridgette Yarwood and Evan Schaaf

Feb. 16
Good Earth Coffee House — Renee Werenka and Friends
Slice— Pernell Reichert Band
Enmax Centre — Classified and Hedley
The Cave — open mic

Feb. 17
Jimmy’s Pub — Open mic with Cory Oryniak and Dave Tillsley
Ric’s Grill — Davidson Porter Trio
Average Joe’s — Dueling Pianos
Lethbridge Folk Club — bluegrass jam
Yates — Old Favourites
Casino Lethbridge — Hippodrome
Mocha Cabana — James Oldenburg
Owl Acoustic Lounge — Church
Slice — Fur Eel

Feb. 18
Mocha Cabana — James Oldenburg
Casino Lethbridge — Hippodrome
Bully’s — DJ  Pauly D from “Jersey Shore”
Slice — Dreams of Reason
Owl Acoustic Lounge — Daniel Sky
Ric’s Grill — Cal Toth
Average Joe’s — Pickle

Feb. 19
Slice — Chron Goblin with Lustre Creame

Feb. 20
Owl Acoustic Lounge — open mic

Feb. 21
Slice — open mic with Paul Kype and Texas Flood
Bo Diddly’s — open mic with Double Jack

CKXU is reaching out to the community — literally — for CKXU Loves You VI.
As a build up to the CKXU (88.3 F.M.) show at the Slice on Feb. 11, the University of Lethbridge-based community radio station is hosting “hug booths” at Lethbridge College and the University of Lethbridge.
“We’re raising money so we can buy a new hamster to power our transmitter,” deadpanned Matt Valgardson, one of the organizers of the popular annual Valentine’s Day-themed fundraiser.
CKXU Loves You VI features local bands The Ketamines, Arcanis, Andrew Scott, the Photoshop Jerks and DJ Shane the Librarian, who will be playing a mix of love songs and anti-love songs.
“Arcanis is a metal band, so I can’t wait for them to put their spin on romantic classics,” said Valgardson.
“I’m also interested in the Photoshop Jerks. I’m hoping for some Adobe-related puns.”
There will also be some impressive door prizes donated by businesses such as Sexxxy Kitty, Showcase Comics, an $80 gift certificate from Jaded Body Arts and many others. There will be comic books and even a candy bouquet, not to mention a beer basket from Andrew Hilton.
“There will be something for everyone. I’ve been to the event as both a lonely bastard and with a lady by my side,” he said.
Advance tickets for the show cost $10 in from CKXU, Blueprint and possibly Boarderline, and $15 at the door.

Sultans of String
If you want to take a trip around the world, check out the Sultans of String on Feb. 11 at the Lethbridge Folk Club Wolf’s Den.
The popular Toronto-based string band blends a cornucopia of influences from around the world, including elements of jazz, gypsy jazz, Cuban rhythm, Arabic folk and any other kind of world music you can name.
Though the year has just begun, the band has already been on two-week tours of the United Kingdom as well as two weeks in the United States.
The Lethbridge debut is part of a two-week Canadian tour.
“Anytime you add a rhumba rhythm and flamenco guitar to a song, it just sounds better,” said Sultans of String violinist Chris McKhool.
Each of the band members brings a variety of influences from around the world to the table though all of the members are firmly rooted in jazz music.
“I bring gypsy jazz and Celtic folk, but when you throw everyone else’s musical influences into the blender and press purée, then out comes Sultans of String,” he said, raving about his talented bandmates.
They met through the Toronto jazz scene. McKhool was impressed by hearing guitarist Kevin Laliberté playing rhumba and flamenco music.
“I asked him what he was playing and we decided to form a band, I met the other members in a similar way. And one day we got a three-hour gig, but we didn’t know that many songs, so we just jammed and all of our influences came out,” he said.
The band has recorded three CDs of expressive instrumental music including the 2010 Juno Award-winning “Yalla Yalla,” and the most recent CD “Move,” which was released in September 2011.
The band looks forward to playing Lethbridge for the first time, particularly in the Wolf’s Den.
“We’re going to be playing music off the first three albums. It’s pretty exciting. We’ll be playing many styles of world music and we will be telling a lot of stories,” he said.
The show begins at 8 p.m. with opening act Prashant John of the band Tandave. Tickets are $20 for Lethbridge Folk Club members and $25 for non-folk club members.

Sarah MacDougall
Swedish born, Whitehorse based singer songwriter Sarah MacDougall is better known in Europe than in her home country, but she is taking a shot at touring Canada. MacDougall, plus lap steel guitarist Tim Tweedale and bassist MJ Dandenau will be making their Lethbridge debut at the Slice, Feb. 10.
“I have family in Sweden, so touring in Europe was a good way to go see them and have it paid for,” MacDougall laughed from Saskatoon, where she is on her way to Regina.
“Plus the drives are a lot shorter over there and you get paid better. The drives are so long in Canada, but it’s my home, so I wanted to tour it. Plus radio has been so good to me here,” she said.
Her third CD, “the Greatest Ones Alive is getting a lot of airplay on CKUA ( it reached number six on their charts in 2011) as well as Galaxie, where it was the number two album of 2011. It is also getting play on CBC, particularly the first single “Sometimes you Lose, Sometimes You Win.”
“ It’s a 10 song album and it’s an album album. I like to write albums instead of just songs. So I spent a lot of time choosing the songs that best fit together. We deleted a lot that didn’t,” she continued.
She said the theme of the CD is growing up. She spent about two years writing it, though there are a few older songs.
“I wrote it around the time I was turning 30. So in the songs there is a lot of nostalgia for childhood and trying to decide what to do with the rest of your life,” she said.
Sarah MacDougall is playing the Slice, Feb. 10, at 9:30 p.m.
There is a $10 cover.

Brocade
Calgary based roots/ rock trio Brocade are looking forward to making their Lethbridge debut at the Slice, Feb. 9.
While the three members, guitarist/ vocalist Todd Stewart, bassist Weeze Brown and drummer Nate Giebelhaus have been playing around Calgary and Vancouver in numerous other projects, they have just released their debut CD “Like You Were Here” as Brocade.
And while their CD is getting a lot of interest, they are known for their live show.
“Our live shows are getting awesome response. We hope the CD will get the same,” said guitarist / vocalist Todd Stewart.
They combine a variety of different influences into their original music. They include elements of alt country, pop, more modern roots rockers like Elliott Brood and even early ’70s rock like David Bowie and Mott the Hoople.
“I’m glad you picked up on that. Because I listen to everything,” Stewart said. He noted Brocade’s music is more mature than previous projects as the band members have matured and grown up.
“A lot of Calgary musicians write songs, then hire people to record them with in the studio. We wanted to create a real band dynamic,” he continued. He has played with bassist longtime friend Weeze Brown for many years, and while various musical projects were ending, they learned drummer Nate Giebelhaus was also ending a project in Vancouver then decided to add him to round out the trio when he moved back to Calgary.
“We wanted to show off a little bit of everything we listen to. I listen to a lot of ’70s music like David Bowie,” he continued adding the band doesn’t like to pigeonhole themselves.
For now, they are looking forward to Lethbridge.
“I’ve never played there before, but it seems like a lot of musicians come through Lethbridge. And we‘re the only band playing that night, so I’m looking forward to getting up on stage and showing people what we can do,” he said.
Tickets for the Feb. 9 show, which is scheduled to begin at 9 p.m., cost five dollars
While those are the highlights, there are a variety of Valentines Day themed events happening this week.
There are several shows, Feb. 14 including Heartbreak Valentines at the Owl Acoustic Lounge featuring the music of Eva Montgomery, Shaela Miller, Leigh Doerksen and Steve Foord. Dale Ketcheson is at the Mocha Cabana for Valentines Day. On the weekend, the Mocha Cabana features Karen Romanchuk and Kelly Tschritter on both Feb. 11and Feb. 12. If you like country music, Tom and Curt are playing HB’S Lounge, Feb. 11.
If you want to rock, Billie Vegas plays the Casino on the weekend as well.
There is also a jazz jam at the Slice with HBO3 (Paul Holden, James Oldenburg and Brad Brouwer), Feb. 13.
There are also a couple Valentines Day art shows happening.
Becky Johnston and Lorinda Peel are organizing “Heartbreak at the Owl,” Feb. 11. Numerous Lethbridge artists, poets and visual artists are helping out the YWCA Harbour House by creating art based on the theme of heartbreak. Donations will be accepted right up to the date of the event, Feb. 11, though sooner would be appreciated. Drop them off at Charisma, or to anyone at the Owl. Also on Friday, Univeristy of Lethbridge artist and MFA student Corinne Teissen Hepher is having a special performance art in the Parlour Gallery at 10:15 p.m.. “Hot Tail” includes performers Claöd Idia, Corey Makoloski and Mickey Wilson utilizing mechanical objects, toy parts, cyborgs and hybrid beasts to celebrate the uncanny, abnormal and grotesque.

Concert reviews
I have to quit saying “this show is the best of the year,” when I go to a blues show. However, I think a good couple hundred people taking in Steve Dawson’s Mississippi Sheiks tribute at Southminster United Church, Feb. 2 that this was one of the best of the year.
Del Rey, Jim Byrnes, Alvin Youngblood Hart and Steve Dawson backed by bassist Keith Lowe and drummer Jeff Hicks played their favourite Mississippi Sheiks songs.
Jim Byrnes was an affable host throughout the second half of the show and tipped his cowboy had to the applauding audience.
They each took turns singing lead and seamlessly shared solos on each song. Steve Dawson alternated between banjo, guitar and a Weissenborn guitar, with which he lead the group into the end of the night the Sheiks’ best known hit “Sitting on Top of the World,” on which Del Rey, Jim Byrnes, Alvin Youngblood Hart and Steve Dawson each took turns singing lines of the song.
Del Rey alternated between National Steel guitar and a shiny steel ukulele. I’d never seen her before this show, but was impressed by her thin, reedy, jazz tinged voice which was reminiscent of a Bessie Smith or Little Miss Higgins.
She lead the band through an encore, noting “there haven’t been enough train songs being played tonight.”

The week that was
Winnipeg singer/ songwriter Del Barber played to an intimate audience at the Slice, Feb. 2. He sang an assortment of heartfelt storytelling folk songs along the lines of Leeroy Stagger and Peter Katz. He sang appealing melodies and played some pretty fingerpicked guitar licks.
He dedicated a cover of Neil Young’s Harvest Moon” out to his mom. He called it a night with a couple upbeat originals.
Lethbridge has a pretty amazing and diverse music scene, and if the nine bands playing Lethbridge College Band Wars, Feb. 3 at the Barn was any indication, the scene will continue to thrive for quite some time.Young, up and coming rock group Vista Park won the event and took home $800 in cash.
While choosing the “best” band is the Devil’s work, when they all have their own unique sound and rocked in their own unique way, Vista Park, who ended up in the last slot of the night (slots were chosen by names drawn out of a hat) impressed judges Ray Burgess- CLRC The Kodiak; Bridgette Yarwood- The Living Luca; Bente Hansen- U of L Music Department; Cameron Skip- Communication Arts and yours truly from L.A. Beat and the Lethbridge Sun Times.
I had always heard great things about them but had never seen them before. I was impressed by their boundless energy, enthusiasm and musical chops, which are only going to get better with age.
They even tackled the Who’s “Baba O Riley, and while hitting Roger Daltrey’s high notes can be a challenge, the band did their best with them. They had the good sized crowd cheering and dancing and eventually called for an encore
Their keyboardist/ percussionist bounced and leaped all over the stage, the bassist played with soul and the band just gelled together through a set of mostly original classic rock tinged music.
The band was surprised to win the event as the lead singer noting “we just wanted to play a bar, we didn’t think we’d win.”
Because Berserker backed out of the competition to play a paid gig at the Slice, that left one last slot open at the end of the night for Vista Park to play their requested encore.
One of my favourites, Cosmic Charley ended up taking the second prize of $200.
The crowd was digging their funk fuelled Red Hot Chilli Peppers meets the Clash meets the Police free spirited groove, which had a lot of toes tapping and bodies moving.
They brought up their friend “Charley” up on stage to play some extra tambourine and got the crowd pumped up.
They had a fantastic, Strat powered west coast groove going on. And as always, the bass playing was impressive.
Lethbridge garage rock trio the Ketamines, who will be going to South by Southwest in Austin in March in part to having one of their songs used in a Target commercial, opened the night by the luck of the draw. Their performance was a lot more sedate than usual. But they had a great, delay drenched Stooges influenced garage rock sound throughout their tight set.
Lead singer/ guitarist Paul Lawton didn’t say much to the audience, being caught up in his own musical world. But they picked up the tempo and the energy levels by the end of their set.
One band I hadn’t heard before, Dead-Eye Strobe Lights played a solid set of prog rock influenced post grunge music. The keyboardist added extra percussion in the form of tapping a bottle with a drum stick. Their songs featured a variety of textures, different styles and tempo changes as lead singer Chris howled. Unfortunately the bass drowned out most of the band throughout their set.
For something completely different, Red Rum Triumph, aka guitarist/ vocalist Steve Foord and violinist Kelsey Jesperson, this time sporting unusual spooky black make-up, played a laid back set of original folk music.
“We’re bringing spoons to a gun fight,” Foord observed, noting the number of metal and hard rock bands they were competing against.
“We’re not a metal band.”
They did rock up their usually laid back set with with an unusual Bob Dylan cover then finished their set with a variety of originals, though they weren’t able to play their ‘zombie’ song due to time constraints, though the crowd was demanding it.
One of the aforementioned metal bands took the stage next as Lightworker played an intense set of detuned metal, which had a good portion of the crowd howling and even shouting along with them. The lead singer showed he could scream, growl and even sing in places. I couldn’t hear much of the lead guitar playing which was buried in the midst of an intense wall of sound. the lead singer jumped into the frothing crowd and rolled back onto the stage howling and bellowing.
Cosmic Charley followed that up with their more melodic, groove filled set.
Two Tubes, a guitar and drums blues/ garage rock duo along the lines of the Black Keys and the Pack A.D. came all the way from Regina to play their first ever gig at band wars. And for a first gig, it was very well done. They added a touch of blues a little garage rock and a lot of energy which only picked up by the end of their 20 minutes.
Lethbridge metal band Caste of Shadows were back on stage for their umpteenth Lethbridge College Band Wars. Their set wasn’t as crazy as it usually is, but they set a menacing tone for their set by dimming the lights as lead singer Chad Neufeld growled “For the next 20 minutes, you’re mine” and tore into a set of evil metal with elements of classic metal like Megadeth. As always, other than frenetic howling frontman Chad Neufeld, the guitar playing was the highlight of the show. I could hear every ferocious riff.
Diminished Fifth played one of their first shows at Band Wars.
Their lead singer strode across the stage, sounding like Joan Jett , singing with spooky power and passion. They began with a cover of “Sweet Dreams” which was more Marilyn Manson than the Eurythmics. Her band was taking it pretty easy considering they were playing upbeat rock. She sang a decent original she wrote about her father, then the band re-energized Bush’s ’90s hit “Glycerine.” Their last song was a highlight, though she didn’t say what it was.
It was metal night at the Slice, Feb. 3. Though I was a little trashed out from band wars, I did want to check out Berserker. As expected I missed Mr. Personal, Milwaukee Talkee and the Dirti Speshuls, but having seen them before, am sure they did a good job.
Berserker was in fine form with their set of ferocious, downtuned modern metal/ screamo.
Vocalist Jon Vornbrock bellowed out throat shredding vocals as the band kept step with big biting guitar riffs. They had a ferocious attack throughout and introduced a couple new songs as well as crowd favourites like “One Night Slam.”
One of many good things about rockabilly is it gets the pretty girls dancing.
Lethbridge rockabilly trio with Dino Caravaggio on guitar and vocals, Evan Herbst on stand up bass and vocals and Dean Wilson on drums were happy to oblige, Feb. 4 at the Slice.
They alternated sets with Calgary’s Buzz Elroy and the Hayseed Rockets.
The crowd of approximately 30 were warmed up by Bent 8 by the time i arrived in the middle of an entertaining set of original and classic rockabilly.
Caravaggio riped and roared, Herbst supplied unstoppable bass and Wilson kept the chugging train track rhthm steadily rocking.
Buzz Elroy And the Hayseed Rockets kept the energy high with an unstoppable rhythm and a whole lot of Texas twang and biting Telecaster riffs which put the audince right into the mood of ’50s Sun Records.
Bent 8 were just getting warmed up in their second set as Herbst did a neat trick by jumping into a cluster of dancing girls with his stand up bass during “Baby Please Don’t Go” and got one of them to hold a steadily throbbing E note on the bass while he left to visit Tyler Brownfield working the door then got a drink at the bar as Caravaggio experimented with a little feedback for a few bars as he returned.
Buzz Elroy didn’t do anything like that but made up for it with some charisma by looking and soundling like Buddy Holly and ever yodeled a few bars as his band kept step behind him.

Feb. 8
Slice — Free City Collective with the New Weather Machine $5
Owl Acoustic Lounge — L.A. Beat open jam
Ric’s Grill — Ain’t Misbehaving with Bridgette Yarwood and Evan Schaaf

Feb. 9
Good Earth Coffee House — Renee Werenka and Friends
Slice — Brocade

Feb. 10
Slice — Sarah MacDougall
Casino Lethbridge — Billie Vegas
Mocha Cabana — Karen Romanchuk with Kelly Tschritter
Jimmy’s Pub — Open mic with Cory Oryniak and Dave Tillsley
Ric’s Grill — Davidson Porter Trio
Average Joe’s — Dueling Pianos
Lethbridge Folk Club — open mic

Feb. 11
Mocha Cabana — Karen Romanchuk with Kelly Tschritter
Casino Lethbridge — Billie Vegas
Lethbridge Folk Club — Sultans of String with Phrashant John of Tandava
HB’S Lounge — Tom and Curt
Slice — CKXU Loves You
HB’S Lounge — Tom and Curt, $5
Ric’s Grill  — Cal Toth

Feb. 13
Slice — HBO3 host jazz jam
Owl Acoustic Lounge — open mic

Feb. 14
Mocha Cabana — Dale Ketcheson
Owl Acoustic Lounge — Heartbreak Valentines with Shaela Miller, Leigh Doerksen, Eva Montgomery, Steve Foord
Slice — open mic with New Weather Machine
Bo Diddly’s — open mic with Double Jack

Feb. 15
The Slice — Keith Price trio
Owl Acoustic Lounge — L.A. Beat open jam
Ric’s Grill — Ain’t Misbehaving with Bridgette Yarwood and Evan Schaaf
 

It’s the beginning of February, so it is a good time of the year to sing the blues. Fortunately, there are a few excellent blues shows happening this week.

Steve Dawson pays tribute to blues icons
Renowned Canadian record producer and multi-instrumentalist Steve Dawson is excited about bringing his musical tribute to ’30s blues icons the Mississippi Sheiks to Lethbridge on Feb. 2 at the Southminster United Church.
“I used to collect their records when I was young. Quite a few blues musicians were influenced by them,” Dawson said.
“They used to play really loud, fast and furious and aggressive. They were a full band and this was before sound systems.”
Dawson, a backing band plus Del Ray, Alvin Youngblood Hart and Jim Byrnes will all play their favourite Sheiks songs. The Mississippi Sheiks mostly recorded during the 1930s, but influenced many a blues musician with their blend of delta blues, ragtime, jazz and several other genres.
“They were truly a magnificent band, but they were completely forgotten for some reason,” he said.
So back in 2009, the longtime fan decided to make a record of a dozen of his favourite artists recording some of their favourite Sheiks songs.
“This tour is an extension of that project,” he said, adding they are only touring for two weeks with the project.
Tickets cost $47.50. The show begins at 8 p.m.

From Sheryl Crow to blues
New York-raised, Los Angeles-based guitarist Todd Wolfe used to play with Sheryl Crow before she hit it big, but he has a hot new new psychedelic blues trio, which makes its debut to the Slice on Feb. 6.
“No, I won’t be singing any Sheryl Crow songs. I don’t think I can do them justice, though one time a guy wanted to sit in with us and wanted to play one of them and I hadn’t played it since the early ’90s,” he said.
He met Crow through mutual friends when she was singing in Michael Jackson’s band.
“In 1987 she would come and visit us in New York where I’m from. We started writing. We did a five-song demo, and by 1989, she was in Don Henley’s band, and she said why don’t you come out to Los Angeles and do some writing.”
He ended up playing in her band along with former Textones member Carla Olson in the early ’90s as Crow’s career started taking off.
“I played in her band for about five years. She’s a hard worker and she could be a task master. She liked things done her way,” he said.
“She was a hard worker and expected everyone else to be the same. So it was a good learning experience.”
Tickets for the 9 p.m. show are $7 in advance or $9 at the door.

Hedley and more
If you like modern rock, Hedley and guests play the Enmax Centre on Feb. 2 as well. In the same vein, there will be an excellent hard rock show at the Slice, Feb. 3 featuring Mr. Personal, Berserker, Milwaukee Talkie and the Dirti Speshuls.
Other cool shows this week include Del Barber, who plays the Slice on Feb. 2.
Lethbridge College presents its third annual band wars at the D.A. Barn, Feb. 3. Diminished 5th, Red Rum Triumph, Berserker, Vista Park, the Ketamines, The Two Tubes, Cosmic Charley, Gravity Crash, Caste of Shadows and Lightworker are all scheduled to perform at the event which begins at 7 p.m. They will compete for more than $1,000 in cash and prizes, with the winner taking home $800. The runnerup receives $200 and Long and McQuade has donated gift certificates for the third through 10th place. A panel of judges including Ray Burgess, CLRC The Kodiak; Richard Amery, LA Beat Magazine; Bridgette Yarwood, The Living Luca; Bente Hansen, U of L Music Department; Cameron Skip, Communication Arts will help make the tough decision.
There is even a rockabilly show this week as Buzz Elroy and his Hayseed Rockets rock it at the Slice on Feb. 4.
This weekend, Lethbridge blues-tinged singer-songwriter Leigh Doerksen has a gig at the Owl Acoustic Lounge on Feb 4.
Joel Bryant and Pete Watson will be playing the Owl the night before.
For something completely different, The Lethbridge Symphony presents “The Magic Flute” at Southminster United Church, Feb. 3-4, featuring members of the University of Lethbridge opera workshop.
For reviews of past shows and a list of upcoming performances, read The Buzz in its entirety at www.lethsuntimes.com.

The week that was . . .
Marshall Lawrence and John Rutherford put on the best blues show of the year but nobody was there to hear it.
They took turns playing original songs as well as blues classics.
They definitely showed how differently they could play the blues. Marshall Lawrence played upbeat Delta blues on several different acoustics as the two traded good natured jabs with each other. Lawrence played several originals including one of my favourites “Keep Walking,” as well as blues classics. Robert Johnson was the theme of most of the night for much of the set, though Lawrence threw in some obscurities from people like Willie Brown, who Lawrence said even Robert Johnson learned from. Rutherford played numerous catchy, jazz tinged originals on a battered Stratocaster, many of them from one of his bands called No Guff.
One of Rutherford’s highlights was a sweet cover of NRBQ’s “12 Bar Blues,” which had all five of the people in the audience counting along.
Rutherford switched to an old national steel guitar and talked about saving it from an abandoned church closet
Their second set included the duo playing off each other and jamming on a variety of songs including a lot more Robert Johnson.

Jenny Allen and Leslie Alexander are slowly increasing their fan base in Lethbridge. The duo, both who have relocated back to Alberta played an appealing set of Indigo Girls style folk-pop, Jan. 27 at the Slice, for their umpteenth Lethbridge performance.
The duo took turns playing songs off their latest CDs as well as some new songs while adding extra guitar and beautiful vocal harmonies to each other’s songs.
They cracked jokes and showed how comfortable they were up on the stage, as the told stories and played pretty songs.
Some of Leslie Alexander’s song were highlights of their second set. Her song about New Orleans is an unabashed nod to the Kinks’ early ’70s hit “Lola” and borrowed a line from blues classic “Baby Please Don’t Go” while painting a vivid picture of post Katrina New Orleans.
Allen chipped in a “happy love song” then Alexander played my absolute favourite “Supergirl,” as Allen added some washboard and Alexander played a kazoo solo during it.

I caught the tail end of Marc Ross’ peppy set at the Owl Acoustic Lounge. Backed by a stand up bass player, the Vancouver/ Winnipeg singer songwriter played a solid couple of folk/ pop songs which were reminiscent of the ’60s stars like the Beatles and Monkees in places with just a touch of John Mayer.
He had a good sized crowd cheering appreciatively and actually paying attention.
I’m not the biggest rap fan in the world, but could not resist checking out a high energy performance by the Swollen Members and La Coka Nostra at the Stone, Jan. 27.
I arrived mid-way through the Swollen Members set. They Vancouver rappers had the massive crowd frothing in front of the stage. Mad Child was giving it his all, pumping up the crowd and getting them to “jump, jump, jump.” One of the fans jumped off the stage and into the crowd, attempting to crowd surf.
The crowd shouted along with their favourites throughout the energetic set.
Hardcore rappers La Coka Nostra, stalked onto the stage clad in identical black winter jackets, shirts and black toques emblazoned with “Bounty Hunter.” Slaine’s toque had “Death” written on it. They got the crowd even more pumped up, as they shouted back the lyrics and raised their hands in the air at Slaine’s exhortation. I couldn’t make out a lot of the lyrics in the echoing room, but could tell how much the crowd was into the performance.
They kept the energy levels high well past 1 a.m.
It is always a good time when Andrew and Julie Scott return to Lethbridge for a show as they did at the Owl Acoustic Lounge, Jan. 28.
Andrew Scott, hammered on his guitar while howling his own quirky , country / folk tinged lyrics, while Julie kept the beat on djembe drums.
They had a good crowd cheering appreciatively as they played a variety of songs, mostly from Scott‘s Latest CD “My Time in The Empire.” But they also had some fun of their own rearranging and countrifying disco hits like “Crazy,” as well as country classic “Jolene,” in the same medley before ending their first set.
It was prog rock night for Jeffrey Orriss’s birthday at the Slice, Jan. 28.
So three bands, two featuring Orriss on bass, took turns playing three song sets.
Lustre Cream, featuring Orriss on bass and vocals had some fun with a tight set of some of their finger -bleeding crowd favourites. Lustre Cream played a lot of big, dark, Tool inspired riffs while guitarist Aaron Trozzo and Orris took turns singing lead.
They took a brief break before Orriss and Lustre Creame drummer Chris Lipinski backed John Greenshields for Big Jim and the Twins’s psychedelic set of mind bending rock.
Greenshields laid into his screeching wah wah pedal for their groove filled, ear-splittingly loud set of upbeat, experimental rock.
Lethbridge psychedelic progressive rock group The Bohemian Cause tweaked their line up for their set by adding Lustre Creame’s Aaron Trozzo on bass as well as Brenna Lowrie on keyboards, which added a ’60s element to their psychedelic sound which relied heavily on ear piecing organ.

Feb. 1
Owl — L.A. Beat Open mic
Ric’s Grill — Ain’t Misbehavin with Bridgette Yarwood and Evan Schaaf
Black Tomato Lounge — Chris Craig and Dano

Feb. 2
Good Earth Coffee House — Renee Werenka and Friends
Enmax — Hedley with guests
Southminster United Church — Steve Dawson’s Mississippi Sheiks tribute with Alvin Youngblood Hart, Del Rey and Jim Byrnes
Slice— Del Barber

Feb. 3
Owl Acoustic Lounge — Joel Bryant and Pete Watson
Average Joes — Dueling pianos
Jimmy’s Pub — open mic with Cory Oryniak and Dave Tillsley
Ric’s Grill — Davidson Porter Trio
The Barn — Band Wars
Mocha Cabana — Kevan Tolley with Bud Haycock
 Southminster United Church — Lethbridge Symphony
February 3 & 4: Master Series III :: Magic Flute, University of Lethbridge Opera Workshop
Casino Lethbridge — Suite 33
Slice — Mr. Personal, Berserker, Milwaukee Talkee, Dirti Speshuls
Trianon Wine Bar — HBO3

Feb. 4

Owl Acoustic Lounge — Leigh Doerksen with Brenna Lowrie
Mocha Cabana — Riviera Paradise Bluses Trio
Casino Lethbridge — Suite 33
Southminster United Church — Lethbridge Symphony February 3 & 4 :: Master Series III :: Magic Flute, University of Lethbridge Opera Workshop
Slice — Buzz Elroy and His Hayseed Rockets with Bent 8

Feb. 6
Owl Acoustic Lounge — open mic
Slice — Todd Wolfe Band

Feb. 7
Slice — open mic
Bo Diddly’s — open mic with Double Jack

One of my favourite bluesmen, Edmonton’s Marshall Lawrence is getting pumped up with the Battle of the Blues with John Rutherford at the Slice on Jan. 25.
“I’m going to knock him out in the third song,” chuckled Lawrence over the phone from Edmonton, where he is putting the finishing touches on his fourth CD “House Call.”
His previous two, “Blues Intervention” and “The Morning After,” are acoustic CDs while his first CD, “Where’s The Party,” is with a full band.
They will each do a set then will finish each other off on stage together in a blues battle royale which will last until the wee hours of the morning.
“I’m going to knock him out and it won’t just be a TKO,” he continued, playing to the boxing theme of the tour which so far includes shows in Calgary, Medicine Hat and Lethbridge before going back north to Edmonton and Stoney Plain — with more dates being announced every day.
“There’s a lot of interest in this,” Lawrence continued.
“It’s going to be really interesting because we each approach the blues so differently.”
And while he is excited about the tour with Rutherford, he is even more excited about having not only harmonica player David Hoerl from the Twisters playing throughout the CD, but having gospel/blues legends the Holmes Brothers (Sherman Holmes, Wendell Holmes and Popsie Dixon) on his new CD as well.
He has recorded 21 tracks for the CD and will choose 13 of them to appear on the CD. One of the chosen will be “Factory Blues,” which features the Holmes Brothers.
“They were so professional. They sat in the control room for 45 minutes making sure everything was perfect. They’d play a track and I’d think it was awesome, but they’d want to do another,” he said.
While the original idea was to record the CD with numerous harp players, as soon as he heard David Hoerl, he changed his mind.
“He’s one of the best in Canada,” he said.
“As soon as I heard him, I said ‘That’s it, I didn’t need anyone else.’ He asked me what I wanted him to play, and I said just do what you do. I want it to sound like you. That’s why I hired you.”
The show begins at 8 p.m. There is a $10 cover for it.

Windup caps off  ‘Knockdown Cancer’
And continuing with the boxing theme, there is also music for a good cause this weekend as Soup of Flies help “Knockdown Cancer” with a wind up gala evening at HB’S Lounge, Jan. 28.
It is the windup event for a month’s worth of fundraising presented by bowling centres across Canada throughout January. They have been putting pink bands around the bowing pins, provided a donation box and have donated 25 cents from each bowling-shoe rental throughout the month. In addition to music, there will be bowling, of course, both regular and cosmic bowling with local celebrities, a live and silent auction featuring a variety of items including golf, Bulls baseball, teeth whitening, hair-care products and restaurant gift certificates. There will be free pizza and a dance with all proceeds going to the Canadian Cancer Society. Tickets are $25 each.

Swollen Members return
The other big show will have hardcore rap fans out in force at the Stone on Jan. 27. Vancouver favourites the Swollen Members and special guests La Coka Nostra, who come to Lethbridge straight out of Boston, will be performing. La Coka Nostra includes Slaine, who is also getting known as an actor, as well as most of popular ’90s rap group House Of Pain including Everlast, Danny Boy, Ill Bill and DJ Eclipse. Special guests City Prophets, Indelible, F-Bomb and Sin-Sane are also performing. Tickets for the show, which begins at 9 p.m., cost $30 at the door
A couple other cool shows this week include Thom Swift and The Fairly Odd Folk, who play the Slice, Jan. 26. Marc Ross returns to the Owl Acoustic Lounge, Jan. 27.
And, last, but not least, this week the Lethbridge Symphony Orchestra presents Chamber Series III which features the University of Lethbridge Faculty Brass. It takes place at the Southminster United Church on Jan. 27 at 7:30 p.m.

Lots of laughs
If you want to laugh, check out the Snowed In Comedy Tour, which comes to Average Joe’s on Jan. 29.
Featured comedians include Dan Quinn, Craig Campbell, Glen Wool, Pete Johanson and Arj Barker, who plays Dave on Flight of the Conchords. Tickets are $20, but the first 50 pre-sales cost $10. The show begins at 8 p.m.


Duo eager for southern conference
Another one of my favourites, Jenny Allen and Leslie Alexander are looking forward to returning to Lethbridge to play the Slice on Jan. 27 before heading south for the Folk Alliance Conference in Memphis.
“It will the the third rinse of our dirty laundry tour,” shivered Allen who recently arrived back in chilly Calgary from Toronto where she was playing gigs.
The popular folk/country duo will play several gigs in late January and early February before escaping the cold to spend a week in Memphis for the Folk Alliance conference on Feb. 25
“It will be the first time for me going to Memphis and the first for Allen and Alexander,” she said, adding she has played Folk Alliance conferences before as a solo artist, but not since it moved to Memphis.
While Allen and Alexander have considered recording a CD together they may already have recorded a live CD at the Slice as they play together very well, adding a variety of different instruments and vocal harmonies to each others’ songs.
“We may release it. We have two shows recorded, so we’ll listen to them and see,” she said.
The duo have each released new CDs in the past year and help each other out on them.

The week that was . . .
The Naked Ear were back at the Slice on Wednesday, Jan. 18 to play some experimental jazz.
Gordon Leigh and the Naked Ear were interesting as always combining jazz with stream of consciousness poetry.
They added guitar, bass groove and lot of of percussion for a hypnotically groovy set of experimental jazz fusion.
An interesting one was “The roots begin in Africa.”
They were happy to play a request for “Cold is in the box.”
They also used a variety of weird instruments like a Sythn-axe and an exotic thumb piano for extra percussion.

Going to see Harry Manx is like having your brain massaged for a solid two hours including a break.
That’s what a full house at the Geomatic Attic, experienced Thursday, Jan. 19.
The Salt Spring Island bluesman played a really, really, really laid back show of original music as he played a variety of unusual instruments.
He began his show with a slow song to set the laid back tone for the night on his signature instrument— the two layered, 20 string east Indian instrument Mohan Veena, which had a hypnotic drone. He managed to make all of his other instruments drone in that East Indian style as well as he tapped out the rhythm on a couple electronic drum pads.
He alternated instruments almost every song incorporating a six string banjo, his cigar box guitar on which he had strung a couple bass strings and a couple of other guitars on which he was playing his unique over the fretboard slide. He didn’t say much in between songs other than to crack a few soft spoken jokes about banjos and the difficulty of tuning a Mohan Veena and to chuckle “here’s another cheerful song about death.”
He proved to be an affable host and was every bit the one man band as his fingers fleetly flew over the strings of his odd assortment of instruments.
His second set proved to be more of the same. One of the laid back highlights, Tijuana, not only blended the music of the east and west, but also the south. A lot of the second set included songs he wrote with Kevin Breit, with whom he has recorded three CDs. He switched to yet another guitar— a National Steel guitar, and quipped he always wanted a “shiny’ guitar when he was 13 and finally got one when he was 56. He wound down his night by playing and exotic version of Bruce Springsteen’s “I’m On Fire.”
It was indie rock night at the Slice, Jan. 20 with Michael Granzow, the Utilities, Medicine Hat trio The Daydream Junkies and Jesse Northey and the Dandelions.
Granzow, who most people know from the Record Holder, started off with a sedate set of originals indie-folk including most of the new Record Holders’ EP “To Sea.” He had a Weakerthans’ John K Samson thing going on throughout his set.
The Utilities were up next. This Lethbridge/ Ponoka band impressed me on my first exposure to them as I thought they were going to be another very similar sounding Said the Whale style ambient indie pop band. But they were so much more. The dual Stratocaster powered band brought together a blend of influences including a little funk, a touch of alt-country, a little Weakerthans alterna-rock, a smattering of Dave Matthews folk pop and a lot of indie folk pop. There was lots of jumping around in place, time tempo change, guitar exchanges and a variety of different styles being explored. At one point they segued into Beck’s “Devil’s Haircut” mid song, though they added a little more funk to it.
Medicine Hat’s Daydream Johnny added a much need burst of energy to a fairly mellow night. The energetic trio supplied a healthy dose of slapback echo filled, snarling late ’60s garage rock.
And while I wanted to stick around for Jesse and the Dandelions, I was not going to miss the return of Shred Kelly.
Shred Kelly packed the house and the Owl Acoustic Lounge Dance floor with a brand new sound and a trumpet, Jan. 20.
I caught the second half of their show, during which they showed they have moved away from their more traditional bluegrass/ upbeat folk roots to a more of a high octane indie-rock sound.
Keyboardist/ accordionist Sage McBride was singing as I stepped in. Coupled with some blasting ska tinged trumpet playing, McBride’s voice helped give the band a No Doubt with a banjo sound.
Their unstoppable beat and big bass kept the joint hopping. And they saved their crowd favourites from the end of their show. They had the audience singing along with “I Hate Work” and cheering during “Tornado,” as they whirled across the dance floor.
A lot of people were out to check out a new Calgary supergroup at the Slice, Jan. 21.
Gold, a supergroup of sorts including members of Shematoma, Women, the Yukas and Extra Happy Ghost,” played an upbeat set of dreamy, delay ridden, jangly indie pop-rock music to an enthusiastic audience.
The two girls harmonized beautifully and hauntingly as they traded delay heavy guitar riffs, giving them a neo Go-Gos or Bangles type of ’80s pop sound. But their songs had enough of a diverse sound to keep the show interesting. Their vocal harmonies were simply mesmerizing.
Redrum Triumph, aka Kelsey Jesperson and Steve Foord played a relaxed set of original folk/ pop combining an array of mandolin and guitar with Jesperson’s cello and violin. They also opened for Shred Kelly the night before.
I wanted to stick around for Reuben Bullock, but also wanted to catch a new local band The Junkman’s Choir at the Owl, Jan. 21
The trio were winding down their Robbie Burns celebration for a rapidly thinning crowd. The trio combined a couple guitars and some excellent violin and even a touch of sassy saxophone.
They played a touch of Celtic tinged traditional folk, but still ended up sounding like a more sedate Plaid Tongued Devils on a couple more exotic numbers.

Wednesday, Jan. 25
Slice — Marshall Lawrence with John Rutherford
Owl — L.A. Beat Open mic
Ric’s Grill — Ain’t Misbehavin with Bridgette Yarwood and Evan Schaaf
Black Tomato — Salem Abraha

Thursday, Jan. 26
Slice — Thom Swift with the Fairly Odd Folk
Good Earth Coffee House — Renee Werenka and Friends
Barn — open mic

Friday, Jan. 27
Owl Acoustic Lounge — Marc Ross
Casino Lethbridge — Chevelles
The Stone — Swollen Members with La Coka Nostra
Mocha Caban a— Herb Hicks Jazz Quartet
Southminster United Church — Lethbridge Symphony Chamber Series III :: University of Lethbridge Faculty Brass
Average Joe's — Dueling pianos
Jimmy’s Pub — open mic with Cory Oryniak and Dave Tillsley
Ric’s Grill — Davidson Porter Trio
Slice — Allen and Alexander
Mocha Cabana — Bridgette Yarwood

Saturday, January 28
HB’s Lounge — Soup Of Flies Knockdown Cancer

Casino Lethbridge— Chevelles
Ric’s Grill — Cal Toth
Owl Acoustic Lounge — Andrew and Julie Scott
Mocha Cabana — Riviera Paradise
Slice — Lustre Creame, Big Jim and the Twins

Sunday, Jan. 29
Average Joe's — Snowed In Comedy Tour with Dan Quinn, Craig Campbell, Glen Wool, Arj Barker, Pete Johansson
Lethbridge Legion — South Country Jamboree Society country and western jam 1p.m.

Monday, Jan. 30
Owl Acoustic Lounge — open mic

Tuesday, Jan. 31
Slice — open mic with New Weather Machine
Bo Didlys — open mic with Double Jack

Wednesday, Feb. 1
Owl — L.A. Beat Open mic
Ric’s Grill — Ain’t Misbehavin with Bridgette Yarwood and Evan Schaaf
Black Tomato Lounge — Chris Craig and Dano